All moodiness and bite, they fish pop hooks from a wiry tangle of off-kilter alt-rock. Jess Williamson opens with a similarly local penchant for haunting softness, which bodes well for the upcoming and ethereal Cosmic Wink. Dallas marrieds Little Beards bounce siren synth.
Not literally, as his fourth LP and first of all-original material, Lonesome as a Shadow , demonstrates, but his breezy Lone Star twang haunts with incorporeal weightlessness.
The country Leon Bridges, maybe? Austin cowgirl Carson McHone opens. Now more than ever, we need your support to continue supplying Austin with independent, free press. Support the Chronicle. Information is power. Support the free press, so we can support Austin. Daily Music. The Austin Reggae Festival was a celebration of diversity, tolerance and giving back to the community. Once again, Auditorium Shores served as the perfect outdoor venue to enjoy great food, arts, and live music.
Love and respect were common themes found throughout the three-day event. The festival organizers demonstrated these values effectively by donating a portion of the proceeds to benefit the Capital Area Food Bank. This strong focus on community paired with great weather helped to foster a mellow environment for attendees to relax and fully appreciate reggae music and culture.
One of the most influential reggae groups of our time, Black Uhuru headlined on Saturday night. As the festival was drawing to an end on Sunday night, headliners The Wailers took the stage.
The Wailers captivated the audience with their creative, timeless, and distinctive music. As the crowd sang along to every word, a common thread was woven amongst strangers and friends alike.
Check out our full photo gallery on Austin Vendor stalls and local food trucks lined the outskirts of the crowd amongst the trees, creating an intriguing marketplace to explore.
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